Finale Music Interview, The Elements of Rhythm, Vols. I & II, April 2013

I wanted to share an interview with Finale Music for this site that readers might find of interest. It was a massive undertaking to complete both volumes of The Elements of Rhythm, and I made my way to the Finale booth at the 2013 NAMM show to share my books and express my deep gratitude for their product and its publishing power.

Here’s the link to the Finale interview:

http://www.finalemusic.com/blog/creating-anything-you-can-imagine-with-finale/

I posted a similar link on my related site, David Aldridge’s Drumming Blog (https://davidaldridge.wordpress.com/2013/04/18/finale-music-and-the-elements-of-rhythm-vols-i-ii-cyber-ink-on-steroids/)

When I saw them at this past NAMM (2015), I was introduced to SmartMusic and its capability for creating lessons that used interactive materials. I can create lessons, send them to students who have a SmartMusic subscription, and they can play along in real time. If they play incorrect notes, the examples are marked for review.

I am really looking forward to exploring this capability for teaching The Elements of Rhythm in both volumes. I’ll post more in the future to show where this has gone, but for now, I hope you enjoy the interview with a great company that I cannot say enough positive things about. I do not receive any discounts of free materials from them, by the way. I just like what they make, because it helps me make more of what I like.

finale-logo

– David R. Aldridge

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Reprint: Mastering Quintuplets (5-note groupings) as Polyrhythms

[This post was originally printed in David Aldridge’s Drumming Blog (davidaldridge.wordpress.com) , 11-18-2012]

Getting quintuplets under your belt is not that hard to do if you start simple and build from there. This following an excerpt from The Elements of Rhythm Vol. I, my rhythm pattern theory text.

Quintuplets are simply 5-note groupings that are evenly spaced. They can be written in very complex forms, but to begin our study, we’ll first look at them as quarter notes.

There are exactly 32 quintuplet rest/note possibilities. If you master them in an easy-to-read meter like 4/4, they sound EXACTLY the same in 4/8, 4/16 and 4/32. Once you get the sound down, you can work on exploring them in different meters, as the following pages discuss and present.

If you are just getting started with polyrhythms, a good teacher can walk you through a more detailed exploration of our sample page excerpts. Intermediate to advanced players should be able to understand and integrate the principles with little difficulty.

For all levels of players, quintuplets open very interesting doors to the world of complex sound shapes, and the work you put into learning them will greatly expand your rhythmic vocabulary.

Enjoy, and as always, thanks for checking out my blog. There’s much more to come…

excerpts from The Elements of Rhythm Volume I (Rollinson Publishing Co.)  All rights reserved.

www.theElementsofRhythm.com