Revisiting The Elements of Rhythm, Vols. I & II

On November 24th, 2012, I launched this blog about my books, The Elements of Rhythm, Vols. I & II (Rollinson Publishing Co.). It’d taken me thirty years to create the books in a format that I was truly satisfied with, and for the next three years, I had the time and energy to promote them to a fair degree.

But in all honesty, working full time in Los Angeles was simply too much, and I ran out of steam for getting the word out about what arguably was and remains one of the most systematic methods for studying rhythm patterns and their origins. I live in my hometown now (Austin, Texas), where the pace is a little more conducive to peace and sanity…

It’s my hope that if you’ve found your way to this blog, you’ll visit the dedicated website ( as well as read the other eleven posts I put up here a few years ago.  There are a finite number of building block rhythm patterns that all of the larger, more complex patterns originate from. My books contain the complete list and also offer an organizing system for categorizing them.

If you’re a serious student of rhythm, you’ve come to the right place. I appreciate you visiting the blog site, and I’ll be updating it much more regularly with comments, exercises and applications of the books’ contents. With everything that’s going on in the world today (Covid-19), we have a lot of time at home to study everything we never had time to explore. I hope this blog, the website and the books help you in your journey to better understand the subtleties and complexities of rhythm pattern evolution, and I hope you’ll check back often to see where we’re going with new ideas about this fascinating and dynamic subject.

With much appreciation, David R. Aldridge

The Elements of Rhythm, Vol. II, Relative Notation and Counting Syllables

The 3rd video in our series of Introduction to The Elements of Rhythm Vol. II, Relative Notation and Counting Syllables.

Here, we present the complete list of fundamental building block rhythm patterns from Volume I and do so in a way that lets us read identical-sounding rhythm patterns in varying metric contexts, such as 4/2, 4/4, 4/8, 4/16, and 4/32, simultaneously.

We also introduce the concept of relative notation, where an absolute sound shape is written using varying notation, depending upon the beat note context. Various counting exercises are presented to help de-condition our usual expectation of counting certain types of notation using predictable syllables (e.g., sixteenth rests and notes as 1 e + uh in 4/4, as opposed to 1 + 2 + in 4/8, for example).

A complete list of counting syllables for Event Point Levels 1-8 are introduced as well, and serve as a helpful tool for beginner readers, allowing them to clap, sing and sound out all of the fundamental building block rhythm patterns.

For viewers unfamiliar with the books, this video will give you a good overview and hopefully inspire you to want to learn more about The Elements of Rhythm, Vols. I & II.